MORGAN EVERHART

b. 1991

Born in Dallas, Texas, Morgan Everhart works in painting, installation, performance, and writing. Everhart’s practice challenges naturalism and ontology through reflection on personal experiences, identity, and art history. She received her Bachelor of Fine Arts from the University of North Texas in 2013, and her Master of Fine Arts from the LeRoy E. Hoffberger School of Painting at the Maryland Institute College of Art in 2016. Recent exhibitions include: DEPTH PERCEPTION (February 2022), OFF CANVAS, YCG Fine Art x A Women’s Thing Online Viewing Room (2020-21), Flowers for my Failures at the Longwood Museum, Virginia (2019); BLOOM at Millersville University, Pennsylvania (2019); and, Four Degrees of Abstraction at Markel Fine Arts, New York (2018). Everhart currently lives and works in New York, where she is also a contributing writer to A Women’s Thing publication. The artist’s first outdoor mural was revealed at the intersection of Grand and Suffolk Streets (New York, NY) in the summer of 2021, and was featured in Neumeraki’s International exhibition Art Off-Screen. Her work was the subject of a second solo exhibition curated by Yassana Croizat-Glazer and entitled Morgan Everhart: Flesh and Bloom, which was hosted by the David Owsley Museum of Art, Ball State University. Everhart currently lives and works in Brooklyn, New York.

Recent Features:

“Morgan Everhart: Flowers for my Failures”, Longwood Museum, 2019

“How Do We Increase the Presence of Women in the Arts?”, A Women’s Thing, 2019.

"Artist Morgan Everhart On Making Art Personal", A Women's Thing, 2018. 

"RED", Fifth Issue, The Skinned Knee Collective, Ashuni Pérez, 2018.

"The Small Door of Your Death", Sheryl St. Germain, Autumn House Press, 2018.